The Woollinn Workshops!

I’m excited about Woollinn Dublin!

After the success of YarnFolk Festival of Wool in August last year, it’s clear we need more woolly events on this island 🙂  Ironically, it will take me as long to get to Woollinn as it does to Edinburgh Yarn Fest (door to door) 😂 😂 😂 😭. This island is so poorly connected. I think if you’re coming from anywhere else the Woollinn location is great, right next to the airport.

So! I was dithering and dithering about which days I would go, what I would sign up to. I have finally registered, so go get yours! In addition to the workshops, I am very excited to see Kate Davies talk about her work and her new book: Handywoman.

Handy Woollinn Workshop Guide

I found it hard to understand the workshop schedule since it’s just a list.

So I made this handy-dandy table if you were curious too. I don’t know if the schedule is subject to change, but is up to date as of 17 March 2018.  Continue reading

An Irish yarn for St Patrick’s Day

With the Euro having reached parity with the USD and today being St Patrick’s Day, I’m hoping some knitters are considering a trip to Ireland.

One of the most active threads on the Ireland Ravelry group is regarding info for visiting knitters. People also want to know where they can get their hands on an authentic Irish yarn. Visiting knitters are seeking some wooly experience based on images of sheep grazing in the hills of some Craggy Island, with hearty sailors wearing wool jumpers bobbing on the sea nearby. Even if the origins of the Aran jumper are clouded in the mists of marketing mythology dating back to the 1930s. (This can be a touchy subject for Irish knitters, since visiting North Americans, obsessed with authenticity, are known to comment “why did you let this tradition die out?” when actually it was entirely manufactured and not that long ago.)

All of those visions aside, visiting knitters want a proper squish of the good stuff as a take-home souvenir of memories of hillsides dotted with lovely sheep. What they may find is that, yes, there are some great Ireland-based indie dyers, but they use bases from abroad which are, of course, popular and easy to dye. And yes, there is yarn spun here, but much of Ireland’s wool clip goes to Bradford, England for processing, or the mills use fibres from Australia. The Irish wool you see on the sheep in the field, gets clipped and thrown into the melée with any wool of a similar micron count and staple length, mostly over in England. And what mills get back is a mix.

Animal-Range-and-Farm-Illustration-Sheep-with-lambIf visitors do any digging at all for the history, they’ll discover a sad economic tale of systematic market manipulation and deprivation dating back to the 1600s which consistently stifled any economic growth around the wool industry in Ireland. It’s enough to “bring out the Fenian in ye,” as my niece might say.

Is this a rallying cry to “Knit Irish”? No.

As I write this point, I’m worried that this might be seen as some Republican rally cry to “not knit with that English yarn” because of something that happened centuries ago. Don’t misunderstand me, I wouldn’t eschew knitting foreign yarn as Louise Scollay from KnitBritish has been doing for a couple of years. Making that statement might raise an eyebrow or two, but isn’t that what it amounts to? The KnitBritish efforts are honourable in that KnitBritish is raising awareness of British breeds and her local industry, which I do think is great!

However, it reminds me of some efforts to ‘buy local’ that misdirect well meaning passion away from supporting sustainable industries in other countries which could increase the quality of life all around with fair trade.  Instead, I think it’s important to emphasize we “#KnitLocal” as Louise mentioned on the KnitBritish podcast recently. This ideal in practice connects you materially to where you are and gives you an understanding of what the world around you is made of. Or “KnitLocal” could mean to buy items produced at a smaller scale and where the value chain is shorter and more value is transferred to the source.

So! I wanted to point out there are authentic Irish yarns available but on a much smaller scale. Argue with me if you like! I’m no economist. However, I know that even a single purchase can make a huge impact to these producers and makers, I hope you’ll support them.

Where are all the Irish spinning mills?

From fleece to yarn, there is minimal capability for wool scouring and processing in Ireland. There are a few remaining mills, and the focus from a farmer’s point of view is meat. So from end to end there are challenges if you’re looking for a single-source yarn. Carol Feller’s Contemporary Irish Knits has a great section on Irish yarns and the remaining mills. Carol also wrote an article for Twist Collective “The Last Mills Standing,” highlighting three mills:

Carol focuses on the modern fact that farmers are selecting breeds for meat, and not fleece. And now, people are more selective and prefer softer and softer wools, and Irish farmers aren’t offering a soft enough or clean enough product for use in artisan yarns that people want to knit with. From a manufacturing point of view, Donegal Yarns could argue they need to offer finished designs in Australian merino to fulfill market demands.

I used to assume the limitations were purely environmental in terms of what kind of fleece could be grown here, but there are great sheep breeds that can do well in these climates. I’m highly sympathetic to farmers, and I think opportunities are increasing for farmers to get more value out of their livestock and business, even when market pressures are driving food prices down and threatening food security and sustainability. I think Irish farmers would diversify their flocks if they thought they could get additional value out of them.

Ireland used to produce finer wools and had a burgeoning woolen trade. So much so that the English royalty successfully sought to destroy the competition from the Irish industry.


In the 1600s, England squashed competition from Ireland by putting in laws to limit both the woolen industry and industry in general in Ireland. By the 1660s, Acts were introduced to prohibit the export of Irish wool, cattle, etc. to England or her colonies, and prohibiting the direct importation of several colonial products into Ireland. So Ireland directed trade to France and Spain and prospered until yet again, the industry was systematically destroyed to improve business in England. Instead the linen industry was encouraged in Ireland, a more labour intensive, much dirtier and more dangerous industry overall.

If you want to know more, a detailed history is outlined on Ferguson’s Linen Mill website, and a threepart article on the the The Irish Guild of Weavers, Spinners, and Dyers site gives some more context to the somewhat infuriating History of Spinning in Ireland. The lack of woolen mills in Ireland or Irish yarn did not happen by chance and is not because we currently don’t have fine fleece here.

Authentic Irish Yarns

At the risk of excluding all the of the great indie dyers in Ireland (saving that for another post!),  I wanted to focus on yarn where the fibre actually comes from animals and farms here in Ireland.

S-Twist Wool The fleece is hand-selected, and hand-scoured using an ecologically friendly scouring method with minimal waste of energy and water. Diarmuid runs his own spinnery producing yarn on a small scale. Here’s a nice in-depth review of the yarn. This fella actually gave me my very first spinning lesson!

Cushendale / Zwartbles sell finished products and yarn from this lovely chocolate fleeced sheep. There are two mills in Ireland that handle raw wool and they won’t process less than an half a ton of wool. So collectively, participating farmers’ clip is combined with other Zwartbles fleece from around the country and sold through Cushendale Mills. See pics of the wool being collected and the wool getting processed at Cushedale Mills on the website.

Dupre Knitwear produce made-to-measure handknits for clients. Literally, you give them your measurements, and knitters from their local area knit the finished goods. You can also buy the yarn in kits. Siobhan and her family keep a flock of Leicester Longwool sheep. The fleece from these elegant looking sheep is long, lustrous and in a range of true greys and warm greys. They send it to The Natural Fibre Company in Cornwall who will process and spin the yarn in small batches. I’ve heard the more recent yarn is worsted spun, and even lovelier than a previous year’s yarn.

Updated to add: (Thank you to An Irish Knit Odyssey!)

Know of any more?

I’m hoping my list isn’t exhaustive and someone is going to see this point and say “Hey you forgot about this one!” If you know of more Irish Yarns, please comment below!

FYI, if you’ve made it THIS far, you might be interested in this upcoming book: These Islands: Knits from Ireland, Scotland, and Britain

Designer: Carol Feller

I had renewed  Contemporary Irish Knits by Carol Feller about 5 times from the library. Well now that is really taking advantage! I think the projects are out of my league for now, but I read it cover to cover because of the features of the dyers and info about the wool industry in Ireland. And of course, it has really pretty pictures to browse.

I decided I’d finally buy the book, and I was able to buy it directly from Carol at Unwind Brighton. Bonus: I got a signature too 🙂
Contemporary Irish Knits

In an interview at Sunset Cat Designs (2012) Carol speaks about the differences between designing for specific yarns whether that is a Donegal tweed or a silky Fyberspates. She also speaks of the differences between something you’d like to wear and something that is fun to knit. I still haven’t attempted anything in the book yet, but I love looking at the pictures. I think I might be able to tackle a cable project soon.

Carol makes things less confusing. One of the first things I knit last year required short rows. I didn’t know they were something to be feared, because I found Carol’s free course on Craftsy which explained multiple methods of creating short rows. She was very clear in explaining, and it was really not all that hard.

Here Carol gives an overview of using the contiguous method in one of her designs

Here Carol speaks about the Irish mills, and also the independent dyers in Ireland.


Is Knitting popularity declining in the US/Canada and rising in the UK/Ireland? A look at the data

Is knitting actually getting more popular?

In 2011, The Guardian wrote about the apparent rise in the popularity of knitting. “It’s no longer something owned by the east London hipsters who knit in pubs or on the tube. Rather, it’s something that normal, everyday people are willing to try their hand at.” The Dailymail said Pastime soars in popularity thanks to bad weather and celebrity fans “The boom in the traditional craft has been fuelled by celebrity knitters like Kate Moss, Julia Roberts  and Mad Men star Christina Hendricks.”

Isn’t it infuriating or frustrating is to hear that knitting is merely a “trend” people pick up because they say some celeb knitting? Something traditional and essential, and the livelihood of so many people… I hope people don’t see this as a passing fad.

But the data does shows that at least people are searching for knitting more in the UK and Ireland in the past few years.

What does Google trends say?

I blog in my day job and my colleague showed me Google Trends recently to see the relative popularity of search terms showing peaks (100) and troughs (0) over your specified time period.  This shows you “how many searches have been done for the terms you’ve entered compared to the total number of Google searches done during that time… For example, if you search for tea in Scotland in March of 2007, Trends analyzes a percentage of all searches for tea within the same time and location parameters.” (google help docs)

I chose “knitting” because it is more associated with the action, and less likely to be conflated with “knit garments”. I also compared crochet, but the word is used as both an adjective and verb.

Looking at Google trends in the US, you can see the interest in the search term “knitting” has gone down. Are people trying out spinning or weaving more in the US? Surely all that fibre-y love isn’t going away.

Google trends for US searches for "knitting"

Google trends for US searches for “knitting”

In Canada, people are searching for “knitting” as frequently as they were a few years ago. There was only a slight dip 2010-2011.



But just in the UK, you can see the trend has been rising, with a sharper rise after 2010, and a steady increase after that.

In Ireland you can see the same pattern of the rise, but more after 2011. This includes deep troughs in the summer, when basically no one wants to knit! In 2013 we had the best summer in ages, so I can understand why people weren’t pulling out their pins.

Google Trends in Ireland for the search term "knitting"

Google Trends in Ireland for the search term “knitting”


UK handknitting Association used the same stats and compiled Knitting Statistics for National Knitting Week: 14-20 October 2013. They estimate:

  • 7.2 million knitters in the UK
  • 12% increase in people participating in crafts year on year

Anyway, I couldn’t say that knitting is on the decline in the US based on this ONE data point. But it’s interesting to see how the popularity peaks and troughs according to the time of year. And maybe there is something to the buzz around knitting/crochet/spinning and fibre arts.

For me it’s been mind-opening experience. I originally just wanted something to help me “calm down”, but hadn’t expected the shift in my own thinking. It has made me think about everything I’m buying and how I spend my free time and money.

In terms of a forecast for these four regions… it looks like the US is the outlier. Perhaps it means we’re going to see more marketing and sales from US hand knitting companies into these other regions. But still the US market is huge anyway. Anyway, interesting to compare!