Love your blog: Community and interactions

I love this idea from A Playful Day: Love your blog challenge! In the month of April A Playful Day will post a prompt for writing. This week it’s Interactions and Community. In my post I’m setting out some rules of engagement for myself to get more connected within the community in person and online.

A Playful Day

1. People first: Shrug off THE SHIES

P/hop stall

P/hop stall – This is Travel Knitter with version 2 of the stall layout. It changed all weekend!

I made a mistake at Edinburgh Yarn Festival. I didn’t follow my own rules:

  • People first
  • Experiences over acquisition

I had been volunteering at the P/Hop stall on Saturday when I wasn’t in a workshop. Time flew, but by Sunday at 12:00pm the urge to shop was insane. I went all around the stalls and had a grand old time. But I didn’t talk to many people. I got a bad case of THE SHIES. I even saw A Playful Day in a stairwell and didn’t even stop to say “Thanks for all those podcasts”, or maybe I did a nervous squeak: “hi” as she passed. WHAT THE HELL IS WRONG WITH ME? I went all that way and spoke mainly to people I know.

I did meet Louise from Knit British, but I could hardly form words because of the disconnect between a familiar voice and an unfamiliar face. I wanted to talk w her as one of my priorities for the weekend. Never happened.

I look at the photos I took at the event and wondered: Why didn’t I touch that? Why didn’t I ask about that? I sort of held myself back and poked around a bit. So sad and silly. A little close-up of my life. I made some great purchases, but at the end of the day, I felt like I’d spent the day shopping instead of meeting people. I totally missed the podcast lounge too.

I think there is some truth that no matter the apparently easy to access online interaction; it pales in comparison to in-person interaction. But in person interaction is hard. Hard stuff. I’m awkward and wonder if I’m saying the right thing. So I get THE SHIES and I keep to myself. That really has to stop. I know I’m not going to stop being shy, but I need to put myself in more situations where I will have the chance to interact.

2. Bridge the online generation gap

I think The Internet World has a sort of amnesia. If it’s not on the internet, then it’s forgotten. or – Did it even exist?

I nearly laughed recently when I listened to an interview with a young weaver, I don’t want to call it out, but it was a young weaver who said she couldn’t find anyone who weaves. There are buttloads of weavers. They aren’t online! They are in guilds, they have their own magazines, they meet at events, etc. Just because they aren’t online doesn’t mean they aren’t THERE or don’t exist.

Most of the people in my Weavers, Spinners and Dyers guild don’t seem to be online. Maybe a few use facebook, and one just joined facebook! But they don’t blog, they don’t use twitter, they don’t post pics of their work to Ravelry.

I think as a generation, if I’m in the first online generation, we need to connect to the previous generation of fibre folk.

Very few people are online and live their lives in social media. It would be nice if more people did. It would make it easier to communicate and promote events for sure. Maybe in bridging that gap we can help the previous generation get connected too.

3. Get out there

Having just gone through my stash, I mentally calculated how much I’ve spent on yarn in the last year. I can’t write the number down, but holy moley. If I had that money I could hop over to most of the yarn and fibre festivals this year without question. Travel Knitter keeps a list of the yarny/fibre events in the UK, it’s massive!

So – I think I need to apply my own rules: choose people and experiences first. Get out there, meet more people locally, go to events. Speak to people! Be brave and say more than a squeaky “hi”.

I’m looking forward to this summer. My guild does spinning demonstrations at sheep festival events. They sell a few wee things and show people the wonders of spinning fibre. I’m super looking forward to going to those events.

4. Get connected – virtually

Something totally crazy happened as I was writing this blog post. I began drafting the blog post, and I was originally whining “why is blogging dead, waaaa!” and started feeling like “what’s the point, who’s going to read this? why do anything ever!”

In the comments on A Playful Day’s challenge post, Estella said the same thing, ” is anyone out there listening? The efforts of bloggers and podcasters are sort of getting lost in the flow of detritus online. Had we all missed the boat??

I erased the whining first draft and thought: right what am I going to DO about it? This prompt was about “An Inspired 2015″ not a whiny moaning “I missed the boat 2015, so don’t bother doing anything 2015.”

So I wrote my rules of engagement here, and came up with AN IDEA. I imagined a hub where I could gather all sorts of interesting people and things together: and host virtual gatherings to talk with others online, particularly fibrey spinning folks.

I could curate content from people blogging and podcasting and help them get readers. Marketing is something I love to do in my day job. And I was sort of badgering Knit British about Google Hangouts on Twitter a few weeks ago. She didn’t seem interested… So – Maybe I can try and set it up myself?

And boom: I literally just set up The Drafting Zone: An online zine about handspun fun yesterday morning.

Honestly don’t know why I started this right now, but there ya go! Well maybe I do know… I don’t blog about sad things here, because I want this to be a happy place. I think with the amount of illness and death happening in my family right now, I need a change, I need inspiration, and a purpose. And I think connecting to other people would help immensely.

Good on ya, A Playful Day, and thanks for the podcasts :)

How to KonMari your yarn stash (part 2!)

I love the KonMari method. In the previous post, I mentioned how I started sorting through my stash. I mainly wanted to do this because I know I have too much for me right now and I’m worried that my past self wrote knitting cheques my future self can’t cash, or knit (?).
In her guide on How to Organize your Stash, Hannah Fettig has lots of good tips, but I love this one:
“TIP THREE.  Sometimes we save materials for too long because we love them so much. We want to be sure they match up with just the right project.  There have been cases where I held onto something for years.  And then what happened?  I’m not in love with it anymore.  If you really love a yarn or fabric in your stash, don’t stress, just USE IT. “
And I think that is where I am with my stash. I bought a sweater’s weight worth of a thick aran weight yarn last year, which is lovely, though now I know I prefer DK weight to knit with. I couldn’t finish because the project really doesn’t suit me (and I couldn’t figure out how to modify it so it does). I would prefer that I could start a sweater with yarn in a weight I like now. So there ya go.

Get Ready to KonMari that stash

Marie Kondo says to tidy up and do it all at once and only one time. It might take several weeks, but it should be done in one shot. She has a particular order too. I mentioned in my previous note, I’m trying to KonMari all the things, and just started tackling the yarn.

I’ve done the first step which was to sort out my clothes. She says to start there because clothes are easily replaced and people usually have too many. And this morning, I tackled my books. Even my husband joined in on the fun. But I’ve got to tackle yarn next.

KonMari doesn’t cover yarn in her book. In terms of order, I think yarn is such a large category, I think yarns don’t fit in komono (stuff). I think collectors and hobbyists will always have categories like this. Now that I’ve started, I can safely say I probably should have done komono first, but I’m impatient and hubs and I have had “words” about the stash.

The StashI think on a scale of difficulty it fits between books and sentimental items. Potentially useful like books and snackable purchases which accumulate easily. So much of the authors book advice fits for yarn. Though she has some book-specific advice which won’t translate to yarn. With yarn,  once you use it up it doesn’t become a collection. And it costs quite a bit more than books. For example, she says ‘just give it away if you’re not sure. If you do like it, then you can just buy it again.’ Um.. not with yarn!

I’ve interpreted the steps to how I think Marie Kondo’s method translates to yarn.

However, this is all theory as I’m literally right in the middle of this process now. I’ll report back on what I discover!

1. Gather the yarn

I took the first step: Load all of it on to a pile. Don’t skip this step and think you can just pull out things you don’t want to keep. That is the wrong way around. It all comes off the shelves and out.

But I did that step over two weeks ago. So, today I guess I’m at least making progress.

2. Sort: Does this yarn spark joy?

Touch each yarn. Do you sense joy? Only moderate joy? Only keep which resonates. I thought this sounded pretty trippy. The notion that you communicate with objects which respond to you seems childlike because of the sense of magic. I was a bit skeptical that I wouldn’t feel “joy”.

However, when I touched these shetland yarns, they literally sparkle with excitement. These are from Blacker Yarns and Jamieson & Smith.

3. Discard/donate

She says throw away, but I think donating is going to be a happier future for anything unwanted or unused. Some yarn is going to a friend in England, some in Belfast and to a women’s knitting group. This stuff was easy to spot.

#stashbusting #nobrainer #KonMarie #yarnkonmarie

A video posted by Heather James (@nearlythere) on

Whastash-boxes-donet was I left with?

I boxed up the yarn into categories.

  • Yarn for projects I have queued and will start next. The Shetland Hap *gulp* that is a doozy! And a knitted skirt project and a few WIPs.
  • Yarn for gifts: Hats and mitts. I won a massive amount of yarn from LoveKnitting, and this makes up the bulk of it!
  • By weight: Fancy pants fingering, DK/chunky, My handspun (tends to be Aran-Bulky)
  • Crazy odd ball yarn.
  • FUN SCRAPS. I love my scrap bag! It’s clearly all stuff I love and I’d like to use again. MinaLoves has a great post about yarn leftovers.

What patterns of habit did I discover?

stash-all-lovelyColour habits:

  • I have lots of blue/turquoise/green, and lots of natural neutrals.
  • And a few random yellows!
  • Recently I’ve bought pinks and purples and it’s all I want to knit with. I think that is the problem with “collecting stash”… your past self commits to knitting your future self might not want to do.

Shopping habits:

  • I tend to buy when stuff is on sale, I get a bit grabby. Much of my odd ball yarn is like that.
  • I buy yarn to swatch. I have a problem with Blacker Yarns, I love their yarns and want to try them all.
  • I buy sometimes because I fear all the yarn will disappear. That is the biggest overall thing. What if I can’t ever find this stuff again ever?

In the future, what I’d like to do is just buy what I’m ABOUT to use. Clara Parkes calls this “slow stashing“.

Hannah Fettig also talks about Stash Control in a recent podcast. She is a true stash minimalist, and only gets yarn for a project she’s about to work on.

What’s next?

1. Stash on Ravelry? Yes. What I wanted to do was photograph it and put it on Ravelry. I think if I do that, and I’m connected with an app, I can make sure I “know” what’s in my stash. I can then shop my stash before starting a project. And rainbows will spring from my fingers because I will be in perfect stash harmony. But that is going to have to be done box-by-box now.

2. To queue or not to queue: NO. I thought I’d like to connect the yarn to projects in my queue, however I get the sense (again) that this means my past self will be committing to things my future self might not want to knit. In fact, I went right to my queue this morning and just moved out any aspirationally queued items.

3. Frog! I think this is where Clara Parkes’s class on Stashbusting comes in helpful. I’ve started frogging projects I’m giving up on entirely.

stash-frog stash-frog2And getting ideas for what to do with all the crazy odd-ball yarns I have.  stash-swatch-combine

I’ll talk more about that in my next post!

The Life Changing Magic of Stashbusting

I recognize that writing a blog post belies my struggles with decluttering. Why am I at the computer and not elbow-deep in stash? Well I didn’t accumulate the stash in one day, so this isn’t going to be easy.


I got the idea to sort my stash after being reminded of the Life Changing Magic of Tidying up on the Curious Handmade podcast.

I watched Clara Parkes’s Craftsy Class on Stashbusting. But I really craved more detail in the section on sorting your yarns. Because it wasn’t obvious to me. Where Clara’s class really excels is helping you figure out how to say goodbye to WIPs, frog, re-set your yarn’s twist, matching yarn to projects, combining in new ways. It’s chock full of great ideas, I fully fully recommend it. BUT, I needed much more detail on the sorting step.

I think that is where KonMari can help. I thought it would be interesting to compare the approaches. Clara Parkes says you should “prune” the yarns, so you are eliminating. KonMari says only: Keep what you love; there’s only one rule: does it spark joy?

When do you know you have a problem?

Both Clara Parkes and Marie Kondo refer to the invisible stash/stuff. Clara Parkes says, “If you no longer know what’s in your stash, your stash no longer works for you.” Marie Kondo says items, such as books, become invisible when they are stashed away. Even books, which sit on shelves baring their spines, in full view: they become invisible and dormant. You need to wake them up, and make them conscious again.
I think the act of going through the yarn brings awareness to you about what you have and the intention behind it, and knowing what you have. I think the overall aim is to *stop buying stuff you don’t need*.
When are you done?
If you love everything in your stash and it makes your heart sing, then you don’t need to declutter even if you have a shed load of yarn. KonMari doesn’t prescribe the size or amounts of what to keep (33 items of clothing/100 things, etc). She said those methods are pointless, hard to follow and don’t serve the purpose.
The vision is to be surrounded by a joyful environment. If that’s a library full of books, or a spartan white room, it’s totally up to you.

The emotional feelings in fibre

Clara Parkes and Kon Marie agree that there are going to be easy wins, things you just KNOW you want to keep. For books, KonMari calls this the “Hall of Fame.”
Clara asks you to detect the feelings you’re getting when you sort the yarn. She suggests you’ll feel there’s a burden, for unfinished projects or untouched yarn. Let it go.

What about the “ambivalent” yarns?

This is where I think there’s a difference in the approaches.  Clara says to bag it up and check back in 6 months. Kon Mari would probably just say “bin it!” (or Donate of course!)

Next: Step by step

OK – This was getting a bit long and now it’s bedtime. I’ll break this into another post and break down the KonMari steps in relation to yarn!

An Irish yarn for St Patrick’s Day

With the Euro having reached parity with the USD and today being St Patrick’s Day, I’m hoping some knitters are considering a trip to Ireland.

One of the most active threads on the Ireland Ravelry group is regarding info for visiting knitters. People also want to know where they can get their hands on an authentic Irish yarn. Visiting knitters are seeking some wooly experience based on images of sheep grazing in the hills of some Craggy Island, with hearty sailors wearing wool jumpers bobbing on the sea nearby. Even if the origins of the Aran jumper are clouded in the mists of marketing mythology dating back to the 1930s. (This can be a touchy subject for Irish knitters, since visiting North Americans, obsessed with authenticity, are known to comment “why did you let this tradition die out?” when actually it was entirely manufactured and not that long ago.)

All of those visions aside, visiting knitters want a proper squish of the good stuff as a take-home souvenir of memories of hillsides dotted with lovely sheep. What they may find is that, yes, there are some great Ireland-based indie dyers, but they use bases from abroad which are, of course, popular and easy to dye. And yes, there is yarn spun here, but much of Ireland’s wool clip goes to Bradford, England for processing, or the mills use fibres from Australia. The Irish wool you see on the sheep in the field, gets clipped and thrown into the melée with any wool of a similar micron count and staple length, mostly over in England. And what mills get back is a mix.

Animal-Range-and-Farm-Illustration-Sheep-with-lambIf visitors do any digging at all for the history, they’ll discover a sad economic tale of systematic market manipulation and deprivation dating back to the 1600s which consistently stifled any economic growth around the wool industry in Ireland. It’s enough to “bring out the Fenian in ye,” as my niece might say.

Is this a rallying cry to “Knit Irish”? No.

As I write this point, I’m worried that this might be seen as some Republican rally cry to “not knit with that English yarn” because of something that happened centuries ago. Don’t misunderstand me, I wouldn’t eschew knitting foreign yarn as Louise Scollay from KnitBritish has been doing for a couple of years. Making that statement might raise an eyebrow or two, but isn’t that what it amounts to? The KnitBritish efforts are honourable in that KnitBritish is raising awareness of British breeds and her local industry, which I do think is great!

However, it reminds me of some efforts to ‘buy local’ that misdirect well meaning passion away from supporting sustainable industries in other countries which could increase the quality of life all around with fair trade.  Instead, I think it’s important to emphasize we “#KnitLocal” as Louise mentioned on the KnitBritish podcast recently. This ideal in practice connects you materially to where you are and gives you an understanding of what the world around you is made of. Or “KnitLocal” could mean to buy items produced at a smaller scale and where the value chain is shorter and more value is transferred to the source.

So! I wanted to point out there are authentic Irish yarns available but on a much smaller scale. Argue with me if you like! I’m no economist. However, I know that even a single purchase can make a huge impact to these producers and makers, I hope you’ll support them.

Where are all the Irish spinning mills?

From fleece to yarn, there is minimal capability for wool scouring and processing in Ireland. There are a few remaining mills, and the focus from a farmer’s point of view is meat. So from end to end there are challenges if you’re looking for a single-source yarn. Carol Feller’s Contemporary Irish Knits has a great section on Irish yarns and the remaining mills. Carol also wrote an article for Twist Collective “The Last Mills Standing,” highlighting three mills:

Carol focuses on the modern fact that farmers are selecting breeds for meat, and not fleece. And now, people are more selective and prefer softer and softer wools, and Irish farmers aren’t offering a soft enough or clean enough product for use in artisan yarns that people want to knit with. From a manufacturing point of view, Donegal Yarns could argue they need to offer finished designs in Australian merino to fulfill market demands.

I used to assume the limitations were purely environmental in terms of what kind of fleece could be grown here, but there are great sheep breeds that can do well in these climates. I’m highly sympathetic to farmers, and I think opportunities are increasing for farmers to get more value out of their livestock and business, even when market pressures are driving food prices down and threatening food security and sustainability. I think Irish farmers would diversify their flocks if they thought they could get additional value out of them.

Ireland used to produce finer wools and had a burgeoning woolen trade. So much so that the English royalty successfully sought to destroy the competition from the Irish industry.


In the 1600s, England squashed competition from Ireland by putting in laws to limit both the woolen industry and industry in general in Ireland. By the 1660s, Acts were introduced to prohibit the export of Irish wool, cattle, etc. to England or her colonies, and prohibiting the direct importation of several colonial products into Ireland. So Ireland directed trade to France and Spain and prospered until yet again, the industry was systematically destroyed to improve business in England. Instead the linen industry was encouraged in Ireland, a more labour intensive, much dirtier and more dangerous industry overall.

If you want to know more, a detailed history is outlined on Ferguson’s Linen Mill website, and a three-part article on the the The Irish Guild of Weavers, Spinners, and Dyers site gives some more context to the somewhat infuriating History of Spinning in Ireland. The lack of woolen mills in Ireland or Irish yarn did not happen by chance and is not because we currently don’t have fine fleece here.

Authentic Irish Yarns

At the risk of excluding all the of the great indie dyers in Ireland (saving that for another post!),  I wanted to focus on yarn where the fibre actually comes from animals and farms here in Ireland.

S-Twist Wool The fleece is hand-selected, and hand-scoured using an ecologically friendly scouring method with minimal waste of energy and water. Diarmuid runs his own spinnery producing yarn on a small scale. Here’s a nice in-depth review of the yarn. This fella actually gave me my very first spinning lesson!

Cushendale / Zwartbles sell finished products and yarn from this lovely chocolate fleeced sheep. There are two mills in Ireland that handle raw wool and they won’t process less than an half a ton of wool. So collectively, participating farmers’ clip is combined with other Zwartbles fleece from around the country and sold through Cushendale Mills. See pics of the wool being collected and the wool getting processed at Cushedale Mills on the website.

Dupre Knitwear produce made-to-measure handknits for clients. Literally, you give them your measurements, and knitters from their local area knit the finished goods. You can also buy the yarn in kits. Siobhan and her family keep a flock of Leicester Longwool sheep. The fleece from these elegant looking sheep is long, lustrous and in a range of true greys and warm greys. They send it to The Natural Fibre Company in Cornwall who will process and spin the yarn in small batches. I’ve heard the more recent yarn is worsted spun, and even lovelier than a previous year’s yarn.

I’m hoping my list isn’t exhaustive and someone is going to see this point and say “Hey you forgot about this one!” If you know of more Irish Yarns, please comment below!

FYI, if you’ve made it THIS far, you might be interested in this upcoming book: These Islands: Knits from Ireland, Scotland, and Britain

Colours for KnitBritish’s Hap-pening!

I have NO business doing this, but I made an impulse to purchase wool for the Knit British Hapalong, (Hap-KAL?) A hap is usually a square shawl, more like a blanket you can cuddle someone up in. Here’s a bit about the history.

I found out about it through Ravelry in the Knit British group. Leira posted a thread asking if there was a “Hap Interest.” 300+ posts later, I think you can say there’s an interest. By coincidence, Gudrun Johnston is also doing a hap-knit-along (Ravelry). So I expect to see the place covered in rolling waves of flowing haps.

Pattern choice

I love the Quill pattern by Brooklyn Tweed. Knit British has an article of other Brooklyn Tweed designs. She also has a spotlight on Gudrun Johnston’s Haps, and I love the 5 colour combo of the Hansel pattern.

I also like that you can take a craftsy class to learn the techniques and more about the history.

Yarn choice

So! Hansel calls for Jamieson & Smith 2 Ply Jumper Weight. I had the Blacker Yarns Shetland Bargain Pack in my sights. I hemmed and hawed and finally picked two contrasting colours, a dark and a white. Boom, too easy, right?

2015-03-04 14.24.50

It doesn’t start until April, so, ha ha! Maybe I’ll clear my knitting decks!

Konmari: Turning your stuff into Tertris

I patiently read the book “The Life-Changing Magic of Tidying Up” by Marie Kondo. After reading the first chapter I wanted to get stuck in immediately, I certainly need to make changes. I’ve finally got started, and now just waiting for all the magic to trickle in!IMG_1656

The concept is very simple and imbued with the Japanese appreciation for the material world that isn’t materialistic. You should touch each item and sense your intuitive response. As yourself, “Does this item spark joy?If not, it should be donated or discarded.

I was reminded of this method from the Curious Handmade podcast recently. She gives a good run down of some of the challenges and benefits of the KonMari method. She did a massive clear out of stuff, including a proper yarn stash revision.

When I taught in Japan I was always amazed at how even the littlest children would come into the classroom, remove their tiny shoes and point them out of the classroom door. Then, as they were exiting the room, the shoes were pointed in the right direction to slip them on quickly so they wouldn’t hold up traffic. In Japan you won’t waste time struggling to get packages opened because they have what my husband and I call “A Japanese Notch.”

The Japanese attention to detail isn’t just an appreciation of order but a consideration of reducing waste of materials and time, and at an atomic level, your life and earthly matter.

The KonMari method appealed to me very much. My mother is a proper hoarder. I’m not exaggerating, we’re actually afraid she’ll have a fall and no one will be able to find her under a mountain of stuff. In various times in my life I’ve been completely deluged with stuff. The international moves I’ve made are always points where I shed my skin and stuff. But now that I want to *stay* somewhere I won’t be doing that again. I know there’s a tendency for me to become a pack-rat when things are tough. I don’t know why – but my inner order matches my outer order.

So – by that correlation will my inner order fall in line when I get my outer order literally lined up? I need some help for sure right now. Work is far more stressful than it’s ever been in the 5 years at my current job. There have been multiple deaths and diagnoses of terminal illnesses in my family and my husbands. Other things that have happened which I can’t even talk about I get too sad. My hair started falling out in clumps in December and it doesn’t appear to have stopped. So! If this method is magic, I could really use some magic right about now ;)

Starting with clothes

KonMari says start with clothes. The books, “komono” (stuff) and sentimental possessions come later. She does say to “do it all at once”, but I don’t have gobs of time like that. So I hope to complete this over the next couple of weeks.

To start- I piled all of everything onto the bed. I didn’t do shoes, I’ll tackle that next. I have done clothing culls in the last year, whereas I usually reserve them for when I move. It seems like way more stuff than I thought I had.

The KonMarie Pile

Scene of the crime

Next I had to handle each item of clothing. DOES THIS SPARK JOY. That is a really hard question. I think there’s maybe 5 items that genuinely make me feel joy when I touch them. Items that I would run in to save from a burning building. Grey velvet jeans! Long soft cardi! Socks with sheep on them! For these items it’s obvious. Others are more ambiguous, a pair of lounge pants? I’m not going to get a sense of joy, but KonMari says to think of what good service that item has given you and appreciate it for what it is.

And this is when you start excluding stuff. Get rid of anything from which you can’t sense joy or from which you derive no value.

  • Gone are the ill fitting tops and socks with holes in them.
  • Gone are the items you said you’d repair but never bother to because, really you don’t care for the item.
  • Gone are the freeking “slimming fat pants” which just make me feel fat instead of making me feel slim.

Apparently all of these things do not spark joy! It’s a bin full of stuff which doesn’t fit, needs repair, feels scratchy, or makes me feel bad. Byeee!



Next you set about folding. the KonMari method would really work best if you have drawers. I have more shelves and two drawers in the shared chest. You fold the items into rectangles and then fold them onto themselves. You get a nice little package that stands on its own. This is a huge advantage because if you remove an item, you don’t mess up a stack.

I used shoe boxes and shoe box lids to corral my smaller items. She explicitly says: this isn’t a storage problem you don’t need new storage equipment. But couldn’t figure out how to make this work with shelves otherwise. I also couldn’t figure out how to handle bulky cardis and sweaters, so for now I had to stack them.

And I realised something as I wedged the little rectangles together. This “gamifies” your clothing. Folding underwear always seemed an entirely DAFT concept. But now I see that you’re playing a puzzle game as you put the item away.


Clothing Tetris

She mentioned the little “click” you’d feel when you reach the right amount of stuff, or when something is folded “just right”. This reminds me of the research put into the addictive appeal of quest based RPGs. A continual flow of positive response reinforces these activities and you will actually look forward to folding your underwear.

The KonMari method gives you the puzzle pleasure of Tetris and the reinforcement of an RPG.

I don’t recommend starting as I did on Sunday night after you’ve been away all weekend. But I’ve been away so much there really wasn’t a better time. I notice already that I can’t pop on that shirt that doesn’t quite fit right and I don’t “have to wear” that pair of socks that itches my toes because of the seam. So far the method is working!

For now, I can enjoy the things I have an hopefully when I go to make a purchase again, I will be more discerning and avoid accumulating things just because. Let’s see if the game is enough to keep me interested long enough to reinforce these habits.


Shibori – Indigo dye workshop with Mottainai

Catherine Quinn of Mottainai Textiles taught a dye workshop in Buncrana. I had no idea she was from Belfast! It was still a lovely day to visit Buncrana and the next day I was able to pop into the Hinamatsuri festival in Derry. Both events were organised by Junko and the group from Yarn Spinners of Inishowen.

Samples of work by Mottainai

2015-02-28 13.09.52


Step 1: Fold your fabric. How you fold changes the pattern you make. I chose the equilateral. This should have come out looking like hexagons. Hmm…

2015-02-28 14.56.15-2 2015-02-28 15.01.08

Step 2: Soak the fabric. Then sew and completely bind the fabric.

2015-02-28 16.20.45-1

Step 3: Catherine mixes up the dye bath

2015-02-28 15.42.37-1

Step 4: Dip it in and out. I didn’t get any pics of the colour change since my hands were in very blue gloves.

It goes from Yellow, to Green to Blue as the dye oxidizes. It’s like magic.

2015-02-28 16.21.38-1

Finished student work

I wish I could remember everyone’s name! We were amazed how everything came out so unique, even though we followed the same processes.

2015-02-28 21.29.02-1

2015-02-28 17.42.39 2015-02-28 17.37.31 2015-02-28 17.16.24

These two were mine. I have to admit, I loved the other student work 100x more than mine. But this just makes me want to try it again!

2015-02-28 17.15.51

Hinamatsuri festival in Derry

I couldn’t stay long since I had to get a train. But it was long enough that I got to see Catherine talk and give a talk about indigo dyeing.

2015-03-01 14.02.592015-03-01 14.03.09-1

Patterns for handspun part 4: Modular knitting patterns

So far in this series, I’ve covered different ways to make the most out of small amounts of yarn, combining it with commercial yarn, or combining it with other handspun. In this final post, I wanted to focus on patterns which could particularly show off the awesomeness of handspun.

There are many great example of modular knitting patterns on Ravelry. Modular means the knitting is done in smaller parts or modules, usually by knitting a portion, then picking up stitches on a contrasting edge and knitting on. In a similar way, short row shaping will put variegated yarn at angles to itself, making the most of the colour changes.



  1. Aranami Shawl by Olga Buraya-Kefelian.
  2. Queen of Diamonds Scarf by Sybil R – freebie.
  3. Mandelbrot by Alex Tinsley – freebie.
  4. Short Row Scarf #70531AD by Lion Brand Yarn – freebie.


That concludes my round-up romp through my favourite handspun-friendly knitting patterns on Ravelry. If you have some ideas, I’d love to hear.

Related tutorials:

Best tutorial ever is Carol Feller’s free craftsy class on Short Row Shaping.

With modular knitting, you’ll need to do some picking up of the stitches.

Patterns for handspun part 3: Layering garments

The likelihood that you’ll reach your hand into the stash and come up with a sweater-weight of wool is highly unlikely. It’s more likely to find you have enough for a shawl or a cowl, and that would be a pretty clear solution. However, how many shawls can you wear? I’ve already rounded up some accessory patterns as well as using handspun as an accent yarn.

Another idea is smaller garments. (No, I don’t mean kid clothes.) It’s easy to find sleeveless vests, tanks, shrugs and boleros through Ravelry. There are also some examples using unique construction ideas and shapes. These smaller garments could be worn layered with other clothes.

This is my super favorite, L’Enveloppe by Sally Melville. She has made this work in a variety of gauges. Here’s a quote from the project page.

“Because I want everyone to knit this in whatever yarn they like, I offer this in 5 sizes, 4 gauges (13, 14, 15, and 16 stitches to 4” /10cm) and 2 stitch patterns (seed or the easier garter). AND, it is worth noting that I’ve seen swatches that combined yarns–from a shop or a stash: for eg, a light worsted + a lace yarn will give you gauge, a dk + a sock yarn will give you gauge. (You will need the full yardage for EACH of the yarns you combine.) Because of all these choices, the yarn amount (as shown above) is very inaccurate: the amount of yarn you use will depend upon a) your size, b) your gauge, c) your stitch pattern. All of this is clear in the pattern.”

It’s a funky layering garment, something different than a cowl or shawl. I love looking at the projects, people have taken different approaches to the length and size.


Here are some more interesting projects from my Ravelry faves. I tend to pick ones which use heavier weights because I’m not able to spin that thin yet myself. Handspun is more textural so it doesn’t need complicated knitting stitches, plain stockinette or a garter will do.


  1. VuxenVinkel by Yarn-Madness – freebie. Uses 350 – 580 yards (320 – 530 m) in Aran.
  2. Simplicity Cardigan by Mary Annarella
  3. Villeneuve by Espace Tricot – freebie
  4. Casablanca Side to Side Shrug by Cheryl Beckerich
  5. Verdant by Gina Bonomo. This is similar to the boleros, but without something that closes across the front.
  6. Alpinia by Claire Slade – There are many cap sleeve cardigans, I like this simple yoke pattern.
  7. All About The Yarn Jacket by Iris Schreier – This is only available in a pattern book purchase with yarn.
  8. Diagonal Shell by Laura Bryant – freebie

There’s some interesting ideas there!

Also see:

Patterns for handspun part 2: Contrasting yarn

I still can’t seem to spin anything lighter than Aran/Worsted weight. So the yardage I get from a 100g braid of fibre is going to be pretty low. As I mentioned in my first post on Patterns for Handspun, Part 1, the obvious thing to do is simply search for patterns are 150 yards or less. However that will ignore many projects which combine contrasting yarns.

Using handspun as the contrasting yarn means you can get a larger project by combining with commercial yarn. You could pick from many striped patterns and the many colorwork patterns, but I’ve tried to find ones which would make the most out of nubbly bumpy handspun and variegated colours, and not compete with the colourwork. Of course not *all* handspun is coloured! But that is the focus in this post.

Loop by Casapinka is a perfect example. This pattern does indicate 400-600 yards. But actually it only requires contrasting yarn 130 yards for the small version and 200 yards for the large in a 4ply/fingering/sock weight. I’ve just completed Casapinka’s Dot shawl which requires 225 yards of fingering weight for the contrast yarn, and this is a great example of a hand-spun loving pattern.


Selected contrasting colour work patterns to show off handspun

Colourwork is a gigantic category, there are some useful projects for “scrap yarn” too. However, I tried to think of how plain commercial yarn would work with a more textured and coloured handspun. These are some of my favourites.



  1. Moonraker by Melanie Berg
  2. Cap Sleeve Lattice Top by Purl Soho – freebie. This would be cool with the handspun as the bodice, and a plain commercial yarn as the yoke.
  3. Loop by Casapinka - love this! It’s been outlined for fingering, but there are examples of heavier even worsted weights, you can stop whenever ya like.
  4. Pop Spots by Juju Vail. That looks like fun.
  5. Dot Shawl by Casapinka. I knit this and I can attest to the addictive nature of this pattern. I really miss working on it.
  6. West Desert Hood by Virginia Catherall – freebie.
  7. Pigment by Lee Meredith – Pigment can worked at any gauge in any weight yarn, which is a nice bonus!
  8. For the Love of Remnants by Kate Hiester – freebie. This was made specifically for remnants, but I think handspun would work for the yoke too.
  9. Fibonacci Twist by Ela Torrente
  10. Col Très Perso by Camille Coizy – freebie. How cool is this? A simple idea where the creative hand spun yarn with tortillons really makes this project special.